Menotti, Amahl and the Night Visitors (Philadelphia Orchestra, 2018)
Renée Tatum was superb as Amahl’s mother, with fine diction and a rich mezzo sound. She brought out the human quality in the drama...
Noted for her “gleaming vocalism” (Opera News), mezzo-soprano Renée Tatum is an incredibly important artist of her generation. The 2019-20 begins as Flosshilde in Wagner’s Götterdammerung with The National Taichung Theater in Taiwan, followed by her role debut as Kundry in Parsifal, under the baton of Maestro Arthur Fagen. Ms. Tatum then returns to the Metropolitan Opera as Dritte Dame in The Magic Flute and sings Azucena in Il Trovatore with Pensacola Opera. She also joins the South Bend Symphony as the alto soloist in Mahler’s Second Symphony, sings Beethoven’s Missa Solemnis with The Masterworks Chorale, and ends the season as Cornelia in Giulio Cesare with The Boston Lyric Opera.
Last season, Ms. Tatum sang in Nico Muhly’s Marnie at the Metropolitan Opera, followed by her debut with The Philadelphia Orchestra as the Mother in Amahl and the Night Visitors. Ms. Tatum also returned to the Metropolitan Opera as Waltraute and Flosshilde in Der Ring des Nibelugen, under the baton of Philipe Jordan. She sang Brahms’ Alto Rhapsody with the Cecilia Chorus at Carnegie Hall, was the alto soloist in Beethoven’s Ninth Symphony with The Philadelphia Orchestra under the baton of Yannick Nézet-Séguin, and closed the season as Waltraute in Die Walkürie with The Boston Symphony Orchestra.
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Season Overview
Taichung National Theater, Taiwan
Wagner, Götterdammerung (Flosshilde)
Shao-Chia LÜ, conductor
October 4, 6, and 10, 2019
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Indiana University Opera Theater
Wagner, Parsifal (Kundry)
Arthur Fagen, conductor
November 10, 13, and 16 2019
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The Metropolitan Opera
Mozart, Die Zauberflöte (Third Lady)
Lothar Koenigs, conductor
December 2019 and January 2020
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Needham Concert Society
Recital of Wagner, Haydn, Respighi, Hahn
pianist, Douglas Sumi
January 12, 2020
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Pensacola Opera
Verdi, Il Trovatore (Azucena)
Jerome Shannon, conductor
March 20 and 22, 2020
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South Bend Symphony Orchestra
Mahler, Symphony No. 2 (Alto soloist)
Alastair Willis, conductor
April 4, 2020
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Boston Lyric Opera
Handel, Giulio Cesare (Cornelia)
Gary Thor Wedow, conductor
May 8, 10, 13, 15, and 17, 2020
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Masterworks Chorale
Beethoven, Missa Solemnis (Alto soloist)
Kevin Leong, conductor
May 16, 2020
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December 13, 2018
August 23, 2018Van Gogh’s Ear (2018)
There is a special excitement in hearing her winged, large, flexible voice in the contained setting of the Irene Diamond space at Signature Center....
June 18, 2018Wagner, Der Ring des Nibelungen (San Francisco Opera, 2018)
Tappan, Lauren McNeese, and Renée Tatum were superb Rhinemaidens, beautifully blended, yet each has such a distinctive sound that you could easily follow their individual lines....
April 14, 2018Penderecki, Credo (Indianapolis Symphony Orchestra at the SHIFT Festival, 2018)
Mezzo-soprano Renée Tatum was the most imposing, her chest voice full but also warm in the “Et incarnatus est” and “Crucifixus” sections....
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